Perry R. Cook
PUBLICATIONS	
August 2004

JOURNAL PAPERS

P. Cook, "Numerical Solution of Boundary Value Problems in Musical Acoustics," Winner, 1986 IEEE Student 
Paper Region 5 Competition, Published in IEEE 1986 Student Papers, pp. 100-108, 1987.

P. Cook, "SPASM: a Real-Time Vocal Tract Physical Model Editor/Controller and Singer: the Companion 
Software Synthesis System," Computer Music Journal, 17: 1, pp 30-44, 1992.

D. Levitin and P. Cook, "Memory for Musical Tempo: Additional Evidence that Musical Memory is Absolute," 
Perception and Psychophysics, 58 (6), 1996.

P. Cook, "Singing Voice Synthesis History, Current Work, and Future Directions," Computer Music Journal, 
20:2 1996.

P. Cook, "Physically Informed Sonic Modeling (PhISM): Synthesis of Percussive Sounds," Computer Music 
Journal, 21:3, 1997.

P. Cook, and D. Trueman, "Spherical Radiation from Stringed Instruments: Measured, Modeled, and 
Reproduced," Journal of the Catgut Acoustical Society, November 1999.

S. Lakatos, P. Cook, and G. Scavone, "Selective Attention to the Parameters of a Physically Informed Sonic 
Model," Acoustics Research Letters Online, Journal of the Acoustical Society of America, May 2000.

G. Essl and P. Cook, "Measurements and Simulation of Bowed Bars," Journal of the Acoustical Society of 
America, July 2000.

K. Li, H. Chen, Y. Chen, D. Clark, P. Cook, S. Damianakis, G. Essl, A. Finkelstein, T. Funkhouser, T. 
Housel, A. Klein, Z. Liu, E. Praun, R. Samanta, B. Shedd, J. Singh, G. Tzanetakis, J. Zheng, "Early 
Experiences and Challenges in Building and Using a Scalable Display Wall System," IEEE Computer 
Graphics and Applications, special issue "Off the Desktop: Large-Format Displays" July, 2000. 

D. Trueman and P. Cook, "BoSSA: The Deconstructed Violin Reconstructed," International Computer Music 
Conference, Beijing, October, 1999.  Winner of Swets and Zeitlinger Distinguished Paper Award, revised for 
Journal of New Music Research, Fall, 2000.

G. Tzanetakis and P. Cook "MARSYAS: a framework for audio analysis,'' Organized Sound 4(3), Cambridge 
University Press, 2000.

G. Tzanetakis and P. Cook, Musical Genre Classification of Audio Signals," IEEE Tranactions on Speech and 
Audio, July 2002.

P. Cook, guest Editor, IEEE Computer Graphics and Applications, Special Issue: Virtual Worlds, Real Sounds, 
July/August 2002.

P. Cook, "Tutorial: Sound Production and Modeling," IEEE Computer Graphics and Applications, Special Issue: 
Virtual Worlds, Real Sounds, July 2002.

A. Kapur, G. Essl, P. Davidson and P. Cook, "The Electronic Tabla Controller," Journal of New Music 
Research, 32(4), 2003, pp. 351-360.

G. Essl, S. Serafin, P. Cook and J. Smith, "Theory of Banded Waveguides", Computer Music Journal, 28(1), 
Winter 2004.

G. Essl, S. Serafin, P. Cook and J. Smith, "Musical Applications of Banded Waveguides", Computer Music 
Journal, 28(1), Winter 2004.

M. Wright and P. Cook, "Project Arbol: Deer-B-Gone, Journal of a Guerilla Sound Installation," Organized 
Sound, Volume 8, Number 3, December 2003.

REFEREED CONFERENCE PAPERS

D. Trueman and P. Cook, "BoSSA: The Deconstructed Violin Reconstructed," International Computer Music 
Conference, Beijing, October, 1999.  Winner, Swets and Zeitlinger Distinguished Paper Award.

J. O'Brien, P. Cook, and G. Essl, "Synthesizing Sounds from Physically Based Motion." The proceedings of 
ACM SIGGRAPH 2001, Los Angeles, California, pp. 529-536.

JURIED ANIMATIONS AND RESEARCH VIDEOS

P. Cook, "Voice Synthesis Projects," International Computer Music Association Research Video, Vol II, No. 1, 
1995.

P.  Cook and D. Morrill, "The Cook-Morrill Trumpet," International Computer Music Association Research 
Video, Volume II, No. 1, 1995.

R. Bargar, I. Choi, A. Betts, P. Cook, "Music for Unprepared Piano," Electronic Theater, SIGGRAPH 1998.

J. OÕBrien, P. Cook and G. Essl, "Synthesizing Sounds from Physically Based Motion," SIGGRAPH 
Animation Theater, 2001.

P. Cook, Computer Music Journal Special DVD, DigitalDoo, "Transfizzle," with Rensselaer Polytechnic Institute 
iEAR Electronic Arts Residency, 27(4), 2003.

BOOKS AND BOOK CHAPTERS

P. Cook, "Identification of Control Parameters in an Articulatory Vocal Tract Model, With Applications to the 
Synthesis of Singing," Electrical Engineering PhD Dissertation, Stanford University, 1991.

P. Cook, ed. Music, Cognition and Computerized Sound: An Introduction to Psychoacoustics, Cambridge, MA, 
MIT Press, March 1999.

P. Cook, "Multimedia Audio," Wiley Encyclopedia of Electrical and Electronics Engineering, 1999.

G. Tzanetakis and P. Cook, Audio Information Retrieval using MARSYAS, in Current Research in Music 
Information Retrieval: Searching Audio, Midi and Notation, Donald Byrd,} J. Stephen Downie and Tim 
Crawford, eds., Kluwer Academic Publishers  (In Press).

P. Cook, Real Sound Synthesis for Interactive Applications, A.K. Peters Press, 2002.

P. Cook, "Introduction to Physical Modeling," Audio Anecdotes, Volume 1, K. Greenebaum and R. Barzel Eds., 
A.K. Peters Press, 2004.

G Scavone and P. Cook, "Synthesis Toolkit in C++ (STK)," Audio Anecdotes, Volume 2, K. Greenebaum and 
R. Barzel Eds., A.K. Peters Press, 2004.

COLLECTIONS AND PROCEEDINGS

P. Cook, co-Editor, Proceedings of the International Computer Music Conference, 1998.

P. Cook, "Introduction to Audio Compression and Representation," SIGGRAPH 98 Course Notes #27.

P. Cook, Editor, P. Cook, T. Funkhouser, R. Bargar, N. Miner "Virtual Worlds, Real Sounds," SIGGRAPH 99 
Course Notes #23.

P. Cook, Editor, Proceedings of the International  Conference on Auditory Display, Atlanta, Apr. 2000.

P. Cook, "Physically-Based Parametric Sound Synthesis and Control," SIGGRAPH 2000 Course Notes #2.

P. Cook, Editor, P. Cook, D. Pai, J. OÕBrien, "Physics-Based Sound Synthesis for Graphics and Interactive 
Systems", SIGGRAPH 03 Course Notes #36

TECHNICAL REPORTS

P. Cook, "Reverberation Cancellation in Musical Signals Using Adaptive Filters," Music Dept. Tech. Rep. 
STAN-M-50, Stanford University, 1988.

P. Cook, "Implementation of Single Reed Instruments With Arbitrary Bore Shapes Using Digital Waveguide 
Filters," Music Dept. Tech. Rep. STAN-M-51, Stanford University, 1988.

ICAD-NSF Report Committee, G. Kramer (Ed.) (1999). The Sonification Report: Status of the Field and 
Research Agenda. Report prepared for the National Science Foundation by members of the International 
Community for Auditory Display: G. Kramer (Ed.), Authors: B. Walker, T. Bonebright, P. Cook, J. 
Flowers, N. Miner,  J. Neuhoff, R. Bargar, S. Barrass, J. Berger, G. Evreinov, W. Fitch, M. Gršhn, S. 
Handel, H. Kaper, H. Levkowitz, S. Lodha, B. Shinn-Cunningham, M. Simoni, S. Tipei.

CONFERENCE PAPERS AND PRESENTATIONS

D. Morrill and P. Cook, "Hardware, Software, and Compositional Tools for a Real-Time Improvised Solo 
Trumpet Work," International Computer Music Conference, Columbus, OH, 1989.

P. Cook, "Synthesis of the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract," 
International Computer Music Conference, pp. 69-72, Columbus, OH, 1989.

P. Cook, "SPASM: a Real-Time Vocal Tract Physical Model Editor/Controller and Singer: the Companion 
Software Synthesis System," Colloque les Modeles Physiques Dans L'Analyse, la Production et la Creation 
Sonore, ACROE, Grenoble, 1990.

P. Cook, C. D. Chafe and J. O. Smith, "Pulsed Noise in Musical Systems, Techniques for Extraction, Analysis 
and Visualization," International Computer Music Conference, Glasgow, 1990.

P. Cook, "Noise and Aperiodicity in the Glottal Source: A Study of Singer Voices," (Invited) Twelfth 
International Congress of Phonetic Sciences,  Aix-en-Provence, France, August, 1991.

P. Cook, "Non-Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind 
Instruments," International Computer Music Conference, Montreal, October, 1991.

P. Cook, "TBone:  An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT Machine,"  
International Computer Music Conference, Montreal, October, 1991.

P. Cook,  "LECTOR:  An Ecclesiastical Latin Control Language for the SPASM/singer Instrument," 
International Computer Music Conference, Montreal, October, 1991.

S. Hirschman, P. Cook, and J. Smith.  "Digital Waveguide Modeling and Simulation of Reed Woodwind 
Instruments:  An Interactive Development Environment on the NeXT Computer," International Computer 
Music Conference, Montreal, October, 1991.

P. Cook, "Aperiodicities in the Singer Voice Source," (Invited) Acoustical Society of America Conference,  Salt 
Lake City, May, 1992.

P. Cook, "Physical Models for Music Synthesis, and a Meta-Controller for Real-Time Performance," 
International Computer Music Conference and Festival at Delphi, Greece, 1992.

P. Cook, "A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real Time Performance Control," 
International Computer Music Conference, San Jose, Oct., 1992.

J. Smith and P. Cook, "The Second-Order Digital Waveguide Oscillator," International Computer Music 
Conference, San Jose, Oct., 1992.

P. Cook, D. Morrill, and J. O. Smith, "An Automatic Pitch Detection and MIDI Control System for Brass 
Instruments," Acoustical Society of America Conference, New Orleans, Nov., 1992.

P. Cook, "Physical Models, Control Schemes, and Real-Time Controllers for Music Synthesis," (Invited) 
IRCAM Symposium on Computer Music, Paris, France, March, 1993.

P. Cook, "New Control Strategies for the Singer Articulatory Voice Synthesis System," Stockholm Music 
Acoustics Conference,  Stockholm, Sweden, July, 1993.

P. Cook, D. Kamarotos, T. Diamantopoulos, and G. Philippis, "IGDIS: A Modern Greek Text to Speech/ 
Singing Program for the SPASM/Singer Instrument," International Computer Music Conference, Tokyo, 
Sept., 1993.

P. Cook, D. Morrill, and J. O. Smith, "A MIDI Control and Performance System for Brass Instruments," 
International Computer Music Conference, Tokyo, Sept., 1993.

G. Scavone and P. Cook, "Combined Linear and Non-Linear Periodic Prediction in Calibrating Models of 
Musical Instruments to Recordings," International Computer Music Conference, Aarhus, DK, Sept. 1994.

P. Cook, "Speech and Singing Synthesis Using Physical Models, Some History and Future Directions," 
Symposium on Physical Models and Applications in Psychoacoustics, Thessaloniki, Greece, July, 1995.

P. Cook, "An Investigation of Singer Pitch Deviation as a Function of Pitch and Dynamics," Thirteenth 
International Congress of Phonetic Sciences,  Stockholm, Sweden, August, 1995.

D. Levitin and P. Cook, "Absolute Memory for Musical Tempo," (Invited)  Audio Engineering Society 
Convention, New York, 1995.

P. Cook, "Greek Aulos Project Status Report: Acoustics of Double Reed Cylindrical Bore Instruments," 
Symposium on Physical Models and Applications in Psychoacoustics, Thessaloniki, Greece, July, 1995.

P. Cook, "Integration of Physical Modeling for Synthesis and Animation," International Computer Music 
Conference, Banff, 1995.

P. Cook, "A Hierarchical System for Controlling Synthesis by Physical Modeling," International Computer  
Music Conference, Banff, 1995.

P. Cook, "Hearing, Feeling, and Performing: Masking Studies with Trombone Players," International Conference 
on Music Perception and Cognition, Montreal, 1996.

P. Cook, "Physically Informed Sonic Modeling (PhISM): Percussive Synthesis," International Computer Music 
Conference, Hong Kong, Sept. 1996.

P. Cook, "Non-Linear Recursion in Acoustics and Music," Invited Keynote, International Mathematica 
Symposium, Rovaniemi, Finland, July, 1997.

P. Cook, "Using Musical Acoustics to Teach Digital Signal Processing, Scientific Computing, and Human-
Computer Interface Technology," (Invited for Special Session on the Role of Musical Acoustics in Teaching 
Acoustics, Mathematics, and Engineering) Acoustical Society of America, Penn. State, 1997.

K. Tsahalinas, K. Tzedaki, S. Psaroudakes, D. Kamaratos, P. Cook, and T. Rikakis, "Physical Modeling 
Simulation of the Ancient Greek Elgin Auloi," Intl. Computer Music Conference, Thessaloniki, 1997.

J. Weinstein and P. Cook, "FAUST: A Framework for Algorithm Understanding and Sonification Testing," 
International Conference on Auditory Display, Palo Alto, 1997.

P. Cook and D. Trueman, "A Database of Measured Musical Instrument Body Radiation Impulse Responses, and 
Computer Applications for Exploring and Utilizing the Measured Filter Functions," International 
Symposium on Musical Acoustics, Acoustical Society of America, Woodbury, NY, 1998.

G. Scavone and P. Cook, "Real-time Computer Modeling of Woodwind Instruments," International Symposium 
on Musical Acoustics, Acoustical Society of America, Woodbury, NY, 1998.

P. Cook and D. Trueman, "NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulations, 
and a Database of Measured Impulse Responses," International Computer Music Conference, Ann Arbor1998.

P. Cook, "Toward the Perfect Audio Morph," (Invited) First European COST Conference on Digital Audio 
Effects, Barcelona, 1998.

P. Cook, G. Essl, G. Tzanetakis, and D. Trueman "N>>2: Multi-Speaker Display Systems for Virtual Reality 
and Spatial Audio Projection," International Conference on Auditory Display, Glasgow, 1998. 

G. Tzanetakis and P. Cook, "A Framework for Audio Analysis based on Classification and Temporal 
Segmentation," EuroMicro, Milan, Sept. 1999.

G. Essl and P. Cook, "Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments," 
International Computer Music Conference, Beijing, Oct. 1999.

P. Cook and G. Scavone, "The Synthesis ToolKit (STK)," International Computer Music Conference, Beijing, 
October, 1999.

P. Cook, "Toward Physically-Informed Parametric Synthesis of Sound Effects," Invited Keynote Address, IEEE 
Workshop on Applications of Signal Processing to Audio and Acoustics, October, 1999.

G. Tzanetakis and P. Cook, "Multi-Feature Audio Segmentation for Browsing and Annotation," IEEE Workshop 
on Applications of Signal Processing to Audio and Acoustics, October, 1999.

G. Tzanetakis and P. Cook "Experiments in Computer-Assisted Annotation of Audio,'' International Conference 
on Auditory Display, Atlanta, Apr. 2000.

L. Dubois, C. Ghez, T. Rikakis, P. Cook, "An Auditory Display System for Aiding Interjoint Coordination," 
International Conference on Auditory Display, Atlanta, Apr. 2000.

D. Trueman, C. Bahn, P. Cook, "Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-
Speaker Arrays (SenSAs)," International Computer Music Conference, Berlin, Aug. 2000

P. Cook and C. Leider, "SqueezeVox: A New Controller for Vocal Synthesis Models," International Computer 
Music Conference, Berlin, Aug. 2000.

P. Cook and C. Leider, "Making the Computer Sing: The SqueezeVox," Proceedings of the XIII Colloquim on 
Musical Informatics, LÕAquila, Italy, Sept. 2000.

G. Tzanetakis and P. Cook, "Sound Analysis using MPEG compressed Audio,'' IEEE International Conference 
on Acoustics, Speech and Signal Processing, Istanbul 2000.

G.Tzanetakis and P.Cook, "Audio Information Retrieval (AIR) Tools." Proc. Int. Symposium on Music 
Information Retrieval (ISMIR), Plymouth, MS, 2000.

G.Tzanetakis and P.Cook, "3D Graphics Tools for Isolated Sound Collections," Proc. Int. Conf. on Digital 
Audio Effects (DAFX), Verona, Dec., 2000.

G.Tzanetakis and P.Cook, "MARSYAS3D: A prototype audio browser-editor using a large scale immersive 
visual and audio display," Proc. Int. Conf. Auditory Display (ICAD), Helsinki, 2001.

P. Cook, "Principles for Designing Computer Music Controllers," ACM CHI Workshop in New Interfaces for 
Musical Expression (NIME), Seattle, April, 2001.

P. Cook, R.Dannenberg, J.Foote, G.Tzanetakis and C.Weare, "New Directions in Music Information Retrieval" 
Proc. Int. Computer Music Conf. (ICMC), Havana, Sept., 2001.

P. Cook, C. Leider, T. Park, and G. Tzanetakis, "Princeton Sound Kitchen Open Source Software Report," Proc. 
of the International Computer Music Conference, Havana, Cuba, Sept. 2001.

G.Tzanetakis, G. Essl, and P. Cook , "Audio Analysis using the Discrete Wavelet Transform, Proc. WSES Int. 
Conf. Acoustics-Music: Theory and Applications (AMTA), Skiathos, 2001.

G.Tzanetakis and P.Cook, "Automatic Musical Genre Classification of Audio Signals," Proc. Int. Symposium on 
Music Information Retrieval, Bloomington, Aug. 2001.

Lakatos, S., Scavone, G.P., & Cook, P.R., "Obtaining perceptual spaces for large numbers of complex sounds: 
Sensory, cognitive, and decisional constraints." In C. Bonnet (Ed.), Proceedings of the Sixteenth Annual 
Meeting of the International Psychophysics Society, 245-250, 2000.

Scavone, G.P., Lakatos, S., & Cook, P.R. "Knowledge acquisition by listeners in a source learning task using 
physical models,"  Invited paper presented at the 139th meeting of the Acoustical Society of America, 
Atlanta, GA., June, 2000.

Lakatos, S., Scavone, G.P., & Cook, P.R., "An interactive similarity rating program for large timbre sets." 
Poster presented at the 141st meeting of the Acoustical Society of America, Chicago, IL., June 2001.

P. Cook, "Physically Informed Stochastic Modal Sound Synthesis," Invited paper presentation at the 141st 
meeting of the Acoustical Society of America, Chicago, IL., June 2001.

P. Cook, "Life with Computer Voxens," Invited presentation at Banff Human/Computer Vox. Summit, Jun. 01.

G. Scavone, S. Lakatos, S., P. Cook, & C. Harbke, "Perceptual spaces for sound effects obtained with an 
interactive similarity rating program," Intl. Symposium on Musical Acoustics, Perugia, Italy., Sept. 01.

P. Cook, "Modeling BillÕs Gait: Analysis and Parametric Synthesis of Walking Sounds," Proc. Audio Engr. 
Society 22 Conference on Virtual, Synthetic and Entertainment Audio, Helsinki, Finland, June 2002.

E. Brazil, M. Fernstrom, G. Tzanetakis, and P. Cook, "Enhancing Sonic Browsing using Audio Information 
Retrieval," Proc. Int. Conf. On Auditory Display, Kyoto Japan, July 2002.

A. Kapur, G. Essl, P. Davidson, and P. Cook, "The Electronic Tabla Controller," Proceedings of the Conference 
on New Interfaces for Musical Expression, (NIME), Dublin, Ireland, May 2002.

G. Essl and P. Cook, "Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing 
Bowls and Glass Harmonicas," Proc. Intl. Computer Music Conference, Gothenborg, Sweden, Sept. 2002.

G. Tzanetakis, A. Ermolinskyi and P. Cook, "Beyond the Query-by-Example Paradigm: New Query Interfaces for 
Music Information Retreival," Proc. Intl. Computer Music Conference, Gothenborg, Sweden, Sept. 2002.

G. Tzanetakis, P. Cook and G. Essl, "Human Perception and Computer Extraction of Beat Strength," Proc. 
Conference on Digital Audio Effects (DAFX), Hamburg, Germany, Sept. 2002. 
Lakatos and Cook, "Human Perception of Real-World Sound Effects," Acoustical Society of America, Nashville, 
May 2003.

P. Cook, "Remutualizing the Instrument: Co-design of Synthesis Algorithms and Controllers," (Invited), 
Proceedings of the Stockholm Music Acoustics Conference, Aug. 2003.

A. Lazier and P. Cook, "MoSievius: Feature-Driven Interactive Audio Mosaicing," Proceedings of the Conference 
on Digital Audio Effects (DAFX), London, Sept. 2003.

G. Wang and P. Cook, "ChucK: A Concurrent, On-the-fly, Audio Programming Language," (Winner, Best 
Presentation Award) Proceedings of the International Computer Conference, Singapore, Oct. 2003.

P. Cook, "Perceiving our Instruments:  Psychoacoustics Meets Aesthetics in the Design of New Performance 
Interfaces," (Invited) Proceedings of the 40th Anniversary Celebration for the Institute for Psychoacoustics and 
Electroacoustic Music (IPEM40!), Ghent, Oct. 2003.

P. Cook and S. Lakatos, "Using DSP-Based Parametric Physical Synthesis Models to Study Human Sound 
Perception," Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and 
Acoustics, Mohonk, NY, Oct. 2003.

G. Wang and P. Cook, "On-the-fly Programming: Using Code as an Expressive Musical Instrument," 
Proceedings of New Interfaces for Musical Expression (NIME), Hamamatsu, Japan, June 2004.

A. Kapur, A. Lazier, P. Davidson, R.S. Wilson, and P. Cook, "The Electronic Sitar Controller," Proceedings of 
New Interfaces for Musical Expression (NIME), Hamamatsu, Japan, June 2004.

G. Wang and P. Cook, "The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/Mentality,"  
Proceedings of the International Computer Music Conference, Miami, Nov. 2004.

A. Kapur, P. Davidson, P. Cook, P. Driessen, and A. Schloss, "Digitizing North Indian Performance," 
Proceedings of the International Computer Music Conference, Miami, Nov. 2004.

SELECTED MUSICAL EXPERIENCE, RECORDINGS, AND PERFORMANCES

Independent recording/production studio and concert sound engineer since 1974.  

Section leader and soloist with California Bach Society, 1990 - 1995.  

Section leader and soloist with Trinity Cathedral San Jose, 1991 - 1993.  

Solo performances with numerous San Francisco bay area groups, including Bay 

Area Lutheran Chorale, Stanford Choirs, Schola Discantus, and others.

Engineered, edited, and sang on Compact Disk, "Ockeghem, the Three Voice Masses," with Schola Discantus, 

released on Lyrichord Early Music Series (LEMS) 8010, 1994.

Engineered and Edited on CD, "French 14th Century Sacred Music," 10/94, LEMS 8012.  

Soloist/chorister on CD "Musica Barocca," with California Bach Society, released 9/94, Guidonian Records.  

Singer and Editor, CD "A Stanford Christmas," released 10/94.

Engineered and Edited CD, "LaRue Mass and Lamentations" released 6/96, LEMS 8021.

Singer and Editor, CD, "Echoes of Joan of Arc, Music of Reginaldus Liebert," released 10/96, LEMS 8025.

Singer, Trinity Parish Choir of Men and Boys/Girls, Princeton, 1999, Sang on CD recording project, "so longeth 
my soul," Fall 2000.

DigitalDoo on "./swank," CD with Interface (Dan Trueman and Curtis Bahn), Cycling 74 records, 2001.

Live Interactive Computer Music Performances: 

El Zorro, by Chris Chafe, for Seashells and Interactive Electronics, Delphi, Greece, 1992.

Pico I, for Seashells and Interactive Electronics, Rovaniemi, Finland, July, 1997.

Interactive Networked MIDI Jam Session, Columbia University to Tokyo, Dec. 1997.

Live Performance at International Mathematica Conference, Chicago, June 1998.

AbOrigins, for DigitalDoo (electronically enhanced digeridoo), with Dan Trueman, electric violin and Curtis 
Bahn, sensor bass, Moebius, Boston, September 2000.
Also at Galapagos, Brooklyn, NY, April 10, 2001.

Duo Monologues for two SqueezeVoxens, Princeton University, February, 2001.

Colby Leider, SqueezeVox Bart,  Perry R. Cook, SqueezeVox Lisa

7 Minutes from Tibet, for solo SqueezeVox (Lisa), Festival: Beyond the 88, Princeton Univ., February 2001.
  		Also at Engine 27, New York, February 2001.
		Also, for solo SqueezeVox (Maggie) JBL Theatre, Experience Music Project Museum, Seattle, Mar., 2001.

DigitalDoo, with Interface, "Transfizzle" concert, Artist Residency Program, Renssalear Polytechnical Institute 
iEAR Institute, May 2003.

Gigapop Ritual, Montreal/Princeton Internet2/CA2Net concert, for Sitar and EDholak (Montreal, Ajay Kapur), 
DigitalDoo (Montreal, P. Cook), Electronic Spoon (Montreal, Ge Wang), Graphics (Montreal, Philip 
Davidson), Tabla and EDholak (Princeton, Manjul Bhargava), Electric Violin and Rbow (Princeton, Dan 
Trueman), and Bass (Princeton, Tae Hong Park).  New Interfaces for Musical Expression Conference, 
Montreal, May 2003.

On-The-Fly Counterpoint for two projected laptops, with Ge Wang, Princeton Listening in the Sound Kitchen 
LITSK Festival 2003. 

Improvisations, Perry Cook (Controller, One With Everything (COWE)), Dan Trueman (Electronic Violin and 
Bowed Sensor Speaker-Array (BoSSA)), Tomie Hahn (Shakuhatsu), Curtis Bahn (Sensor-Speaker Bass 
(sBass)), and Pauline Oliveros (Accordion), Princeton Listening at the Sound Kitchen LITSK Festival 2003.

On-The-Fly Counterpoint for two projected laptops, with Ge Wang, New Interfaces for Musical Expression 
(NIME) June, 2003, Hamamatsu Japan. 

END