Undoctored samples:
Recording of an organ sonata:
Clip from a song by the thrash metal group Slayer:
Synthetic tritone interval:
Ring modulated samples:
The organ sample with full spectral ring modulation:
The organ sample with spectral ring modulation ramping linearly up to full
strength (p = 1) and then back down to the dry input (p = 0),
demonstrating continuous control of the effect:
Spectrally expanded samples:
The organ sample with spectral expansion applied (p = 1):
The organ sample with more spectral expansion applied (p = 2):
The organ sample with spectral expansion ramping linearly up from p=0 to
p=2, demonstrating continuous control of the effect.
Lowpass noise-modulated samples:
These samples demonstrate the idea mentioned briefly in Section 4 of the
paper: multiplying a signal by lowpass-filtered noise to interfere with
the audio signal's ability to generate sensory dissonance. Note how
similar the "underwater" effect is to that generated by extreme chorusing.
The organ sample modulated by low frequency noise:
The slayer clip modulated by low frequency noise:
The tritone modulated by low frequency noise: